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These debates have inspired scientists to analyse Cremonese wood shavings, collected during repairs, to look for unusual traits.
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There were some who asserted that modern soundboards could be made as thin, while others were concerned about unbalanced tone and long-term risk of cracking. These speculations arose partly because makers needed to account for the thinness of soundboards used by Stradivari and Guarneri ‘del Gesù’, which can average around 2.4mm in the centre, as opposed to 2.9–3.5mm in modern instruments.
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The most common belief is that it was simply dried in the air for 5 to 20 years, but many other scenarios have been proposed, including: treatment with acid or alkali baking freezing boiling chemical baths and floating the wood in rivers, ponds, lagoons or even oceans.
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Her current research includes writing a new short history of Australian architecture the transmission of architectural knowledge through professional networks in architecture.For centuries, luthiers have speculated that the master Cremonese makers may have subjected the spruce and maple they worked with to some kind of modification before using it to make an instrument. She has also examined the importance of public buildings in community, civic and national identities architecture during wartime and its subsequent impact on practice and production and equity and diversity in the Australian architectural profession. She is an authority on the history of Australian architecture 1890-1950 and has undertaken significant projects researching modern hospital architecture in Australia. Julie Willis is Dean of Faculty of Architecture, Building and Planning at the Melbourne School of Design. His books among others include Chandigarh’s Le Corbusier: The Struggle for Modernity in Postcolonial India and A Global History of Architecture (with Francis DK Ching & Mark Jarzombek). He is a fellow podcast host himself – in fact, he hosts ArchitectureTalk in the US – a bi-weekly podcast with curated conversations on contemporary architecture and architectural thinking. Vikram Prakash is the Director of Undergraduate Interdisciplinary Programs in the Office of the Dean, College of Built Environments, University of Washington and founding board member of GAHTC – the Global Architectural History Teaching Collaborative. They share personal experiences about how they each came to study Australian architecture and India’s architecture as well as how their roles in universities have come to shape their trajectories as academics and intellectual leaders. Prakash and Willis speak about the tensions between the national and the global. What makes up a nation? In the 21 st century, nationalist frames are giving way to new interpretations of the global.ĭr Jennifer Ferng speaks with Professor Vikram Prakash and Professor Julie Willis about the Encyclopedia of Australian architecture, national identity, and the obstacles to capturing selected moments of history.